The recommended workflow

Give every person a face close-up and a turnaround, give key props (a car, a bag) a turnaround, and give the location an establishing shot.

• By hand: in Characters and locations.
• Agent: “Cast Rosa, her yellow convertible, and a coast road.”

Make a plain grey 3D blockout (a previs) that sets the camera moves and cuts, and add it to the scene.

• By hand: start a film with I have a previs, build the blockout in Blender, then upload it and import its sequences.json in the scene’s 1 Previs step. Then pick the scene’s location and cast once, in 2 Cast & location. See Make a film with a previs.
• Agent: “Previs scene 1 in Blender and add it to the scene.” The agent needs Blender, ffmpeg and the previs skill on the computer it runs on (see Use an AI agent).

One image with the scene’s cast, props and location. It keeps them looking the same in every shot.

• By hand: click Build sheet on the scene’s 3 Reference sheet step.
• Agent: “Build the reference sheet for scene 1.”

Render the shots at Fast quality (about 480p) to check the timing and camera moves quickly.

• By hand: set Quality to Fast and click Animate.
• Agent: “Render scene 1 at 480p so I can check the timing.”

Render again at HD and redo any shot you don’t like.

• By hand: set Quality to HD and click Animate. If a shot skips a cut, raise Follow previs.
• Agent: “Render the final shots in HD and redo any that don’t match the sheet.”

Join the shots into one film. Add Film look if you want it, and 4K for the final version (slow, so do it last).

• By hand: on the Timeline tab, click Export film.
• Agent: “Export the film with the film look, in 4K.”